Careers for Graduate Students

The English Department is committed to helping our graduate students succeed in our program and to preparing them for future careers. To those ends, we have developed a range of courses, internships, and administrative appointments for our students to supplement our regular course offerings and teaching opportunities.

Additional professionalization opportunities are available through our Graduate School:

https://gradschool.missouri.edu/grad-essentials/

https://gradschool.missouri.edu/professional_development/purpose-of-the-pff-program/

AAU Grant

Because of our commitment to cultivating career success, English is one of three departments participating in the AAU Ph.D. Education Initiative, which aims to change the culture surrounding doctoral education by diversifying career pathways. The Association of American Universities selected the University of Missouri as one of only eight universities to participate in the project. For more information see MU News.

Professionalization Courses

See “Courses” for full descriptions.

Please note that the courses listed below can be taken for graduate course credit, but cannot be counted for the 18 hours in English at the 8000 level that are required for PhD students.

8005: Introduction to Graduate Study (Fall, 1-credit)

This required course introduces new students to graduate study and to the concrete procedures and long-term goals involved in successfully negotiating their programs of study. We have in-class panels of graduate students and faculty on such topics as “how to form a graduate committee” and “how to make the most of a conference.” Speakers in our faculty works-in-progress series come to the class to discuss their writing and research processes.

7950: Publishing Internships (variable credit)

An ongoing challenge in higher education is providing students with real-world experience to complement solid traditional scholarship. Potential employers want to know what students have actually accomplished as well as what academic courses they have taken. An internship at the Missouri Review or Persea press provides opportunities for students to gain valuable hands-on experience in publishing. From their first day, interns are an integral part of the general operations. The editors encourage individual initiative and teamwork while offering the interns the resource of publishing experience.

8001: Critical Writing Workshop (Fall and Spring, 1-credit)

The Critical Writing Workshop gives graduate students the opportunity to work on their advanced critical writing (dissertation chapters, essays being revised for publication, or the critical introductions to creative dissertations). Participants take turns submitting drafts of their writing ahead of time and receiving intense feedback and discussion of their work.

8001: Alt-Ac Job Market Workshop (Spring, 1-credit)

Available to students at any time in their graduate careers, this course considers non-academic career options for which a graduate degree in English might be valuable preparation. We explore the resources available for humanities PhDs seeking non-academic careers and address the proficiencies that employers in a range of fields seek, learning to translate the skills and experience acquired in an English graduate program into terms that resonate outside the academy.

8001: Academic Job Market Workshop (Fall, 1-credit)

This course provides intensive preparation and support for graduate students going on the academic job market. We workshop job letters, CVs, dissertation abstracts, statements of teaching philosophy, writing samples, and job talks. We also practice MLA interviews, campus interviews, job talks, and teaching demonstrations.

Administrative Appointments for Graduate Students

See “Assistantships, Fellowships and Benefits” for full descriptions.

Composition Program Assistant

The Composition Program Assistants work closely with the Director, Assistant Director, and Senior Program Assistants of Composition and with the Composition Committee to provide intellectual leadership for the program, serve as peer mentors for graduate students teaching composition and assist with various tasks related to program operations.

Writing Center Fellowship

This fellowship gives a graduate student a solid foundation in writing center theory and history, pedagogy, and practice as well as professional administrative experience and training that will be useful to them in future careers both inside and outside the academy

Assistant to the Director of Graduate Studies

This graduate student works closely with the Director of Graduate Studies and the Graduate Studies Committee (GSC), gaining administrative experience useful inside and outside of the academy. Duties include doing research for GSC initiatives, assisting in the planning and hosting of Welcome Day for prospective students, and developing and maintaining the department website.

Assistant to the Director of Creative Writing

This graduate student works closely with the Director of Creative Writing and the Creative Writing Committee (CWC), gaining administrative experience useful inside and outside of the academy. Duties include assisting with the planning and coordination of the creative writing reading series, helping coordinate the department creative writing contests and the AWP conference, and managing Creative Writing’s presence on social media.

Recent Job Placements

PhD 2019

 
Name Position Field Dissertation  
Gregory Allendorf Adjunct Instructor, English Department, University of Missouri  Creative Writing Bottle Fly  
Devin Day Instructor, Writing Program, University of Massachusetts Contemporary American Literature The Great Recession and the Genre Turn  
Kate Kelley Visiting Assistant Professor, Religious Studies, University of Missouri Folklore Policing the Boundaries of Whiteness: Monsters Made in the USA  
Teresa Milbrodt Assistant Professor, Michigan State University (Michigan)  Creative Writing, Fiction Sharp Things, or the Silver Lines are Not Scars  
William Moore     Brain Catalogue  
Bradley Smith English Teacher, Liberty High School (Missouri)  Creative Writing Canon  
J.D. Smith Genealogist & Lecturer at The Rheinland American: Genealogy Services  Creative Writing Worried Notes: Poems  
Sarah Zurhellen Lecturer, Appalachian State University  Creative Writing Information Anxiety and the Data Cloud of Contemporary Fiction  

PhD 2018

 
Name Position Field Dissertation  
Jessie Adolph English Instructor, Lincoln University (Missouri)  Folklore “Dee-Jay Drop that ‘Deadbeat’: Hip-Hop’s Remix of Fatherhood Narratives”  
Dorothy Atuhura Lecturer, Kyambogo University (Uganda) Creative Writing Documenting "Harm:" Mediated Representations of Gendered Bodylore from Sub-Saharan Africa  
Deanna Benjamin Assistant Dean and Academic Coordinator, Washington University (Missouri)  Creative Writing The Education of a Gambler's Daughter  
Julie Christenson  Rare Book Librarian at Texas Christian University, Fort Worth, Texas Medieval Interpretive Cultures and Anglo-Saxon Texts  
Corinna Cook Fulbright Visiting Researcher Award, Whitehorse, Yukon Creative Writing Leavetakings  
Stephen Haynie   Creative Writing “Escalations: Stories”  
Leanna Petronella Content Creater @ Aceable (Texas) Creative Writing The Imaginary Age: Poetry  
Kavita Pillai Postdoctoral Research Scholar in Comparative Literature and Postcolonial Studies in the Asian
Department at the University of North Carolina, Chapel Hill, North Carolina
Global Literature “Democracy and the Failure of Liberalism: Globalization and the Reemergence of Orientalist
Essentialism in Hindutva’s Construction of Fundamentalist Hindu Identity”
 
Nick Potter Visiting Assistant Professor, School of Visual Studies, University of Missouri Creative Writing Big Gorgeous Jazz Machine  
Travis Scholl Managing Editor, Theological Publications at Concordia Seminary (Missouri) Creative Writing Leavetakings  
Eric O. Scott Field Rep, Laborers International Union of North America Local 773 Mid Missouri Creative Writing, Creative Non-fiction The Pagan’s Progress, or, The Invention of Pilgrimage  
Carli Sinclair Visiting Professor, Stephens College (Missouri) Ninteenth-Century American Literature “‘This Land is My Land’: Authority and Landscape in American Women’s Nonfiction, 1843-1903”  

PhD 2017

 
Name Position Field Dissertation  
Toby Beeny Master Instructor, Indian River State College (Florida)  English/Communications/Modern Languages Ecclesiastical Advice Literature in Anglo-Saxon England (critical dissertation)  
Colin Beineke Professor of English, SCAD - The University of Creative Careers (Georgia)  Contemporary American Literature Assembling Comics: The House Style and Legacy of RAW Books and Graphics (critical dissertation)  
Andew Darr English Teacher, Centralia High School (Missouri)  Early Modern Literature Masculinity in Early Modern English Revenge Drama and City Comedy (critical dissertation)  
Ryan Habermeyer Assistant Professor of English, tenure-track, Salisbury University (Maryland)  Creative Writing and Literature Babbler: A Novel (fiction) and Fairy-Tale Phantoms: On the Cultural Hauntings of Ever After (critical dissertation)  
Jennifer Julian Fiction Writer in Residence at Allegheny College (Pennsylvania) Creative Writing, fiction I’m Here, I’m Listening: Nine Short Stories and a Novella (fiction)  
LaTanya McQueen Assistant Professor, Coe College (Iowa) Creative Writing, fiction When The Evening Comes (novel); And It Begins Like This (essays)  
PhD 2016  
Name Position Field Dissertation  
Anne Barngrover Assistant Professor of Creative Writing-Tenure Track, Saint Leo University (Florida) Creative Writing, Poetry Brazen Creature (poetry)  

Rachel Hanson

Oliver O'Connor Creative Writing Fellow, Colgate University  Creative Writing, Nonfiction Dislocations  
Patrick Lane Tenure-Track Position, Culver-Stockton College (Missouri) Creative Writing, Fiction Medieval Death Trip  
Megan Peiser Assistant Professor of Eighteenth-Century Literature at Oakland University (Michigan) Eighteenth-Century Literature British Women Novelists and The Review Periodical, 1790-1820  

Nick Robinson

Assistant Professor, Claflin University (South Carolina) Creative Writing, Poetry Our Family Walks  

Eric Russell

Lecturer, Central Michigan University (Michigan) Eighteenth and Nineteenth Century American Literature Nature, Materiality, and Human Agency in the Literature of the Great Lakes from 1790 to 1853  

Maggie Smith

Associate Professor, Moberly Area Community College Early Modern Literature The Drama of Dissent: Pamphleterring Culture and Performative Protestantism: 1650-1795  

PhD 2015

 

Name

Position

Field

Dissertation

 

Khem Aryal

Assistant Professor, Arkansas State University

Rhetoric and Composition

The Displaced: Stories from Nepal (fiction) and The Creative of the Critical: Toward a Happenings Theory of Creative Composition (critical dissertation)

 

Constance Bailey

Assistant Professor, University of Arkansas 

English/African American Studies

It Takes a Village: Twentieth Century Black Women's Fiction and the Spiritual Apprenticeship Narrative

 

Joanna Eleftheriou

Assistant Professor, University of Houston-Clear Lake

Creative Writing, Nonfiction

This Way Back: Essays from Cyprus

 

Lauren Fath

Assistant Professor, Highlands University (NM)

Creative Writing, Nonfiction

My Hands, Remembering

 

Brianne Jaquette

Assistant Professor, College of the Bahamas 

Nineteenth Century American Literature

The Locomotive and the Tree: Industrial Pittsburgh’s Late Nineteenth-Century Literary Culture

 

Ruth Knezevich

Postdoctoral Fellow, Royal Society of New Zealand Marsden Trust

Long 18th Century

Narrative as Archive: Ethno-Historical Paratexts in British Literature, 1760-1830

 

Jennifer Spitulnik

Adjunct Assistant Professor, Stephens College (MO)

Folklore

No People Like #ShowPeople: Broadway Performers' Ethnographic Social Media

 

PhD 2014

 

Name

Position

Field

Dissertation

 

Jess Bowers

Assistant Professor of English, Maryville University

Creative Writing, Fiction

Shooting a Mule and Other Stories

 

Meagan Ciesla

Assistant Professor, Gonzaga University

Creative Writing, Fiction

County Road 23

 

Naomi Clark

Assistant Professor and Director of the Writing Center, Loras College (IA)

Rhetoric and Composition

Toward a New Critical Materialist Rhetorical Methodology: Ideographic Tracking of Family Values from Eugenics to Neoliberalism

 

Darcy Holtgrave

Associate Health Professions Adviser, Honors College, University of Missouri

Folklore

"Welcome to my Couch": an Ethnographic Description and Narrative Analysis of Youtube Blogs on Mental Illness

 

Shelli Homer

Associate Faculty, MiraCosta College

African Diaspora Literature

The Space of the South and Self-Definition in African American Return Migration Novels of the Post-Civil Rights Era

 

Claire McQuerry

Assistant Professor, Kutztown University (Pennsylvania)

Creative Writing, Poetry

The Heart Can Thirst Because Obsession is a More Country: Poems and Lacemakers

 

Bethany Peterson

Assistant Professor, Grand Valley State University (MI)

Creative Writing, Nonfiction

Glaciology

 

Melissa Range

Assistant Professor, Lawrence University

Creative Writing, Poetry

Scriptorium

 

Alison Rutledge

Assistant Professor, Columbia College

Victorian Literature

Impressions and Characters: Travel Writing and Narration in the Novel from Victorian to Modern

 

Gregory Specter

Visiting Assistant Professor, Duquesne University  Nineteenth Century American Literature Harriet Beecher Stowe and the Circulation of Texts  

Christopher Strelluf

Assistant Professor, University of Warwick (UK)

Linguistics

"We have such a normal, non-accented voice": A Sociophonetic Study of English in Kansas City

 

PhD 2013

 

Name

Position

Field

Dissertation

 

Joseph Aguilar

Assistant Teaching Professor, Worcester Polytenic Institute

Creative Writing, Fiction

House of Halls

 

Luke Gibbs

Professor, Evangel University

British Romanticism

 Great Britain and Latin America: The Romantics and Informal Empire

 

Stephanie Kartalopoulos

Lecturer, Clemson University (South Carolina)

Creative Writing, Poetry

Amulet

 

Caitlin Kelly

Lecturer, Case Western Reserve University

Eighteenth Century British Literature

Private Devotion, Common Prayer, and the British Novel, 1700-1815

 

Zaid Mahir

Instructor, University of Central Missouri

World Literature

 A Comparative Study of Robert Coover’s The Public Burning and ‘AbdulKhaaliq al-Rikaabi’sSaabi‘ Ayaam al-Khalq

 

Katharine McIntyre

Assistant Professor, Worcester Polytechnic Institute

Creative Writing, Fiction

 The Moat

 

Rebecca Mouser

Assistant Professor, Missouri Southern State University

Medieval Literature

 Oral Tradition, Anglo-Saxon Heroic Poetry and the Fourteenth Century: ‘Reading’ the Oral in the AlliterativeMorte d’Arthur and Sir Gawain and the Green Knight

 

Darren Pine

Online Instructor-Mizzou Online, University of Missouri Medieval Literature The Poetics of the Medium: Aesthetic Forms and Technologies of the Word in the English Middle Ages  

Claire Schmidt

Assistant Professor, Missouri Valley College

Folklore & Oral Tradition

"If You Don't Laugh You'll Cry": The Occupational Humor of White American Prison Workers and Social Workers

 

Derek Updegraff

Associate Professor, California Baptist University

Medieval Literature

Style and Structure, Politics and Preaching: The 'Lives of Saints' and Other Alliterative Works by AElfric of Eynsham

 

Ramsay Wise

Instructor, University of Missouri

Film Studies

Film in Post-World War II American Fiction

 

Megan Woosley

Assistant Professor, Department of English, Francis Marion University (South Carolina)

Medieval Literature

   

PhD 2012

 

Name

Position

Field

Dissertation

 

Jonas Cope

Assistant Professor, California State University-Sacramento

British Romanticism

The Dissolution of Character in Late Romantic British Literature, 1816-1837

 

Gregory Dunne

Professor, Miyazaki International College (Japan)

Creative Writing, Nonfiction

Passing Figures 

 

Sharon Emmerichs

Assistant Professor, University of Alaska-Anchorage

Renaissance Literature

Crossing Boundaries: Shakespeare and the Language of Transgression  

 

Robert Long Foreman

Assistant Professor, Rhode Island College

Creative Writing, Nonfiction

We Are All Dealers in Used Furniture 

 

Kevin Henderson

Chair, Languages and Literature, Assistant Professor, and Faculty Coordinator for English, Drury University Rhetoric and Composition

Dissertation: Writing to Feel / Feeling to Write: Utilizing Emotion Theory and Performance Studies in Creative Writing Pedagogy

 

Shelley Ingram

Assistant Professor, University of Louisana-Lafayette

Folklore

“To See a Little Differently”: Racialized Discourses in the Study of American Literature

 

Debbie Lelekis

Assistant Professor, Florida Institute of Technology American Literature Spectatorship in the Crowd in American Literature, 1880-1920  

Joanna Luloff

Assistant Professor, University of Colorado-Denver

Creative Writing, Fiction;

Transnational Literature

Remind Me Again What Happened(creative dissertation) and The Novel as NGO: Border and Genre Crossings in 20th/21st Transnational Literature(critical dissertation)

 

Dustin Michael

Assistant Professor, Savannah State University Creative Writing Triptych: Essays of Place and Travel  

Neesha-Elizabeth Navare

Assistant Professor, Savannah State University Creative Writing  Night and Day  

John Nieves

Assistant Professor, Salisbury University (MD)

Creative Writing, Poetry

 Second Person Ethereal 

 

Peter Ramey

Assistant Professor, Northern State University (SD)

 Medieval Literature

The poetics of the medium: aesthetic forms and technologies of the word in the English Middle Ages

 

Joseph Scott

Lecturer, Center for English Language Learning, University of Missouri American Literature The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S. Fiction  

Erin Wilson

Visiting Affiliate Assistant Professor, Loyola University (MD)

Victorian Literature

Somatic Subjects: The Pathological Path to Victorian Womanhood

 

Ramsay Wise

Lecturer, Missouri Science and Technology  American Literature Film in Post-World War II American Fiction  

PhD 2011

 

Name

Position

Field

Dissertation

 

Katy Didden

Assistant Professor, Ball State University

Creative Writing, Poetry

 Avalanche

 

Philip Howerton

Professor, Missouri State University-West Plains

American Literature, Rhetoric and Composition

 The Other Ozarks: A Critical Anthology

 

Shelley Ingram

Assistant Professor and Assistant Head of English Department, University of Louisiana-Lafayette American Literature "To See a Little Differently": Racialized Discourses in the Study of American Literature  

Peter Monacell

Chair of the Language and Communication Studies Department and Assistant Professor of English, Columbia College (MO)

American Poetry

 Poetry of the American Suburbs

 

Chad Parmenter

Visiting Assistant Professor,
Niagara University (NY)

Creative Writing, Poetry

My America

 

Angela Rehbein

Associate Professor, West Liberty University

Eighteenth-Century British Literature

Domesticating the Empire: women writers and colonial discourse in late eighteenth- century British literature

 

Todd Richardson

Associate Professor, University of Nebraska-Omaha

Folklore

A Ghost is Born: The Construction and Consumption of Folk Authenticity

 

PhD 2010

 

Name

Position

Field

Dissertation

 

Leigh Dillard

Associate Professor, University of North Georgia

British Novel 1740-1900

Illustrated Editions: Depicting the Eighteenth-Century Novel

 

Chatham Ewing

Digital Library Strategist, Cleveland Public Library American Literature American Little Magazines of the Mid-20th Century: Network Analysis, Influence and Canons  

Lania Knight

Senior Lecturer, University of Cloucestershire (UK)

Creative Writing, Fiction

Adaptation: Re-Creating the Novel as a Stage Play

 

Damon Kraft

Interim Provost and Associate Professor, Kansas Weslyan University

Medieval Literature

Merchants and the Medieval Mirror

 

Lily Mabura

Assistant Professor, 
American University of Sharjah (UAE)

African Diaspora Studies and Creative Writing, Fiction

Representations of the violently displaced black female self in contemporary African literature: (scholarly dissertation); House on a jade sea (creative dissertation)

 

Marc McKee

Assistant Teaching Professor, University of Missouri

Creative Writing, Poetry

 The Consolationeer 

 

Scott Mitchell

Adjunct Professor, 
Tarrant County College-Trinity River

Folklore

"This sweet touch": alienation and physical connection in the works of Michael Ondaatje, Shyam Selvadurai, and Salman Rushdie

 

Willow Mullins

Visiting Assistant Professor, 
Ohio State University

Global Literature Philanthropic Tourism and Artistic Authenticity: Cultural Empathy and the Western Consumption of Kyrgyz Art  

Stefanie Wortman

Senior Documentation Quality Analyst, Cerner Corporation (MO)

Creative Writing, Poetry

 Permanent Collection

 

PhD 2009

 

Sarah Barber

Associate Professor, 
St. Lawrence University, Canton, NY

Creative Writing, Poetry

The Kissing Party (poetry)

 

William Connolly

Affiliate Assistant Professor of English, 
Fontbonne University

Creative Writing, Nonfiction

The Eight Leaves (creative nonfiction)

 

John Estes

Associate Professor and 
Director of Undergraduate Creative Writing, 
University of Alabama

Creative Writing, Poetry

Sufficient Wildness (poetry)

 

Emily Friedman

Assistant Professor, 
Auburn University

Eighteenth-Century British Literature

Beginning's Ends: New Senses of Ending and the Rise of the Novel

 

Joseph Green

Associate Dean for Teaching and Learning, University of Dubuque

British Novel to 1945

Victorian Natural History as Cultural History

 

Gretchen Henderson

Adjunct Lecturer, Georgetown University 

Creative Writing, Fiction

 On Marvellous Things Seen and Heard

 

Elizabeth Langemak

Assistant Professor, LaSalle University

Creative Writing, Poetry

Reluctant Sublime: Poems (poetry)

 

Jeremy Reed

Associate Professor, Central Methodist University

20th century American Literature

The American Dream from the Margins in 20th-Century Fiction

 

Emily Rosko

Associate Professor, College of Charleston

Creative Writing, Poetry

Prop Rockery (poetry)

 

Amy Wilkinson

Clinical Assistant Professor of Writing in the Core Program, New York University

Creative Writing, Fiction

Kaylene Can't Drive and Other Stories(fiction)

 

PhD 2008

 

Julie Buchsbaum

Humanities Librarian, 
University of Kansas

Creative Writing, Poetry

Still Life with Rooms People Live In (poetry)

 

 

Crystal Lake

Professor, Wright State University

Eighteenth-Century Studies and Romanticism

Ruin Nation: The Aesthetics of Decay and the Politics of Decline in Britain, 1740-1820

 

Nathan Oates

Professor and Director of Undergraduate Writing Studies,
Seton Hall University

Creative Writing, Fiction

The World is Mist (fiction)

 

David Henderson

Adjunct Faculty,
St. Charles Community College

Folklore and Oral Tradition

The Medieval English Begging Poem

 

Lisa Higgins

Program/Project Support Coordinator Senior, Missouri Folk Arts Program, University of Missouri

Folklore

Reconstructing gender, personal narrative, and performance at the Michigan Womyn's Music Festival

 

Jeffrey Pethybridge

Chair, Summer Writing Program Director, Naropa University 

Creative Writing, Poetry

 The January Party (poetry)

 

Lisa Rathje

Executive Director at Local Learning: The National Network for Folk Arts in Education

Folklore

 Re/presenting traditions: identity, power, and politics in folklife programming

 

Zak Watson

Chair of the English and Philosophy Department, Missouri Southern State University

Critical Theory and Restoration Literature

Breathing in the Other: Enthusiasm and the Sublime in Eighteenth-Century Britain

 

2007

 

Jason Arthur

Associate Professor, Chair of English
Rockhurst University (Missouri)

American Literature (1865-1965)

Thinking Locally: Provincialism And Cosmopolitanism In American Literature Since The Great Depression

 

Nicky Beer

Associate Professor, 
University of Colorado-Denver

Creative Writing, Poetry

 The Diminishing House (poetry)

 

Erin Clair

Associate Professor and Director of College Operations, Arkansas Tech University

20th century Gender and Sexuality Theory

Death Becomes Her: Modernism, Femininity, and the Erotics of Death

 

Na'Imah Ford

Assistant Professor, 
Florida Agricultural & Mechanical U

Postcolonial and African American Literature

A Theory of Yere-Wolo: Coming-of-Age Narratives in African Diaspora Literature

 

Emily Isaacson

Associate Professor and Director of the Honors Program, Heidelberg University

Renaissance and Restoration Drama

Domesticating the Citizen: Household Authority, the Merchant Class Family, and the Early Modern Stage

 

Mike Kardos

Associate Professor, 
Co-Director of Creative Writing,
Editor of Jabberwock,

Mississippi State University

Creative Writing, Fiction

One Last Good Time (fiction)

 

Jason Koo

Associate Teaching Professor, Quinnipiac University (Connecticut)

Creative Writing, Poetry

Man on Extremely Small Island(poetry)

 

Nadine Meyer

Associate Professor,
Gettysburg College

Creative Writing, Poetry

 The Anatomy Theater (poetry)

 

Bryan Narendorf

Associate Professor and Chair,
LaSalle University

Creative Writing, Poetry

Against the Terrible Death (poetry)

 

Sophia Nikoleishvili

Instructor, 
Universidad Autonoma de Madrid

18th century British Literature and Art

The many faces of Daniel Defoe's Robinson Crusoe: examining the Crusoe myth in film and on television

 

Michael Piafsky

Associate Professor and Director of Writing Program, Spring Hill College

Creative Writing, Fiction

Laughter and Other Lies (fiction)

 

Catherine Pierce

Professor (full),
Co-director of Creative Writing, 
Mississippi State University

Creative Writing, Poetry

Famous Last Words (fiction)

 

Sharon Robideaux

Assistant Professor, tenure-track,
Ferris State University

Rhetoric and Composition

Like dancers following each other's steps: an analysis of lexical cues in student writing for differing audiences

 

2006

 

William Bradley

Writing Center Coordinator,
Heidelberg University 

Creative Writing, Nonfiction

Second Life (creative nonfiction)

 

Rebecca Dunham

Professor (full),
Creative Writing Program
University of Wisconsin, Milwaukee

Creative Writing, Poetry

The Miniature Room (poetry)

 

Steven Gehrke

Associate Professor,
University of Nevada-Reno

Creative Writing, Poetry

Michelangelo’s Seizure (poetry)

 

Christie Hodgen

Professor (full), tenure-track
University of Missouri-Kansas City

Creative Writing, Fiction

Hello, I Must Be Going (fiction)

 

Linda Johnson

Assistant Professor, tenure-track 
Texas Southern University

Africana Literature

 

Claiming/Reclaiming Africana Womanist Texts

 

Scott Kaukonen

Associate Professor, 
Sam Houston State University

Creative Writing, Fiction

Ordination (fiction)

 

James Kimbrell

Professor (full),
Florida State University

 Creative Writing, Poetry

The gatehouse heaven (poetry)

 

Jacqueline McGrath

Professor of English, 
College of DuPage

Folklore

The Politics of Belief: Ethnography of the Catholic Workers, or Theorizing the Activist Literature of Dorothy Day

 

Elizabeth Thomas-Horn

Editor, International Journal of Conflict and Reconciliation,
University of Missouri

Visiting Professor, Central Methodist University (2008-2017)

Creative Writing, Poetry

Confessions of an Apprentice God: Poems

 

C. Michael Land

Associate Professor, 
Director of Community Service Learning Program
Assumption College

 Creative Writing, Fiction

Highway 82 (fiction)

 

2005

 

Heather Maring

Associate Professor,
Arizona State University

Creative Writing, Poetry

Water Margins (poetry)

 

James Andrew Miller

Assistant Professor, tenure-track,
Purdue University-Calumet

20th century American Literature

Matters of Life and Death: Political Crisis and the Ghost Film

 

Andrew Mulvania

Associate Professor, tenure-track, 
Washington and Jefferson College

Creative Writing, Poetry

Also in Arcadia (poetry)

 

John Porter

Associate Professor of English, 
Central Methodist University

Renaissance Drama

Socioeconomic Definitions of African Muslims in Tudor Drama

 

RaShell Smith-Spears

Associate Professor,
Jackson State University

19th century American Literature

Black Love Ain’t Love: How the Image of Black Romantic Relationships Was Used in the Construction of National Identity

 

Stacy Tintocalis

Assistant Professor,
University Alabama - Birmingham,
Visiting Writer,
Missouri - St Louis

Creative Writing, Fiction

Honeymoon in Beirut (fiction)

 

 

Anthony Varallo

Professor (full), Director of Undergrad Creative Writing,
College of Charleston

Creative Writing, Fiction

Houses Left Behind and Other Stories(fiction)

 

2004

 

David Allred

Professor (full), tenure-track,
Snow College

Folklore and Oral Tradition

Fiction, Folklore, and Reader Competency: The Politics of Literary Performance Arenas

 

Kevin Allton

Instructor in English,
University of Southern Indiana

Creative Writing, Fiction

The Bride of Fog

 

Jean Braithwaite

Associate Professor,
University of Texas - Rio Grande Valley

Creative Writing, Nonfiction

FAT: The Story of My Life With My Body (creative nonfiction)

 

Mary Jill Burkindine

Professor,
Panola College 

 

The World According to East African Writers: A Bakhtinian Analysis with Teaching Applications

 

Averill Curdy

Associate Professor​
Northwestern University

Creative Writing, Poetry

From the Lost Correspondence: Poems

 

Deborah Forssman-Hill

Adjunct Instructor
University of Central Arkansas

Rhetoric and Composition

Working Language Together: The Transforming and Transformative Voices of Three Women on the Academic Page

 

William Grattan

Associate Professor,
North Carolina Wesleyan College

Creative Writing, Fiction

Ghost Runners

 

Rachel Palencia Harper

Associate Director, Honors College, 
University of Missouri-Columbia

American Literature 1820-1945; Rhetoric and Composition

Jean Kenyon Mackenzie's "The Trader's Wife": A Critical Edition

 

Sally Hartin-Young

Freelance Writer/Editor 

Creative Writing, Fiction

In the Dark We Are All the Same(fiction)

 

Eric Leuschner

Chair & Associate Professor,
Fort Hays State University

History and Theory of the Novel to 1960

Prefacing Fictions: A History of Prefaces to American and British Novels

 

Joanie Mackowski

Associate Professor,
Cornell University

Creative Writing, Poetry

Tails (poetry)

 

Bern Mulvey

Faculty,
Arizona State University

Creative Writing, Poetry

The Mirror Kingdom (poetry)

 

Kira Salak

Writer for National Geographic Adventure

Creative Writing, Nonfiction

Four Corners: One Woman's Solo Journey into the Heart of Papua New Guinea (creative nonfiction)

 

2003

 

Anjail Rashida Ahmad

Associate Professor of English &
Director of Creative Writing, 
North Carolina A&T State University

Creative Writing, Poetry

Only Violet Can Rupture Like This(poetry)

 

Marilyn Lake

Freelance Writer, 
Hutchinson, Kansas

Creative Writing, Fiction

Our Mother's Ghosts (fiction)

 

David Todd Lawrence

Associate Professor of English, 
University of St. Thomas

African American Literature

"Negotiating Cooly": The Intersection of Race, Gender, and Sexual Identity in Black Arts Poetry

 

Nicole Pekarske

Lecturer, 
University of Maryland, Baltimore County

Creative Writing, Poetry

Intermissa, Venus (poetry)

 

Laura Rotunno

Associate Professor of English 
and Integrateive Arts,
Penn State University-Altoona College

19th century British Literature

Readdressed: Correspondence Culture and 19th Century British Fiction

 

Denise Stodola

 

Associate Professor &
Writing Center Coordinator
Kettering University

Medieval Literature

Transitional Materials: Crossing the Boundaries between Medieval and Modern Conceptions of Writing As A Step Toward Constructing A Pedagogical "Masterpiece in a Composition Classroom"

 

Billie Stephanie Powell Watts

Associate Professor, 
Lehigh University

Creative Writing, Fiction

Talk to me while I'm listening: A Novella (fiction)

 

Bobby M. Watts

Associate Professor, tenure-track,
Lehigh University

Creative Writing, Poetry

Past Providence (poetry)

 

2002

 

Charles Bradshaw

Associate Professor of English, 
University of Tennessee-Martin

American Literature to 1865; Rhetoric and Composition

Republican Aesthetics and the Discourse of Conspiracy in Federalist Literature

 

Tina Hall

Associate Professor of English, 
Hamilton College

Creative Writing, Fiction

All These Things I've Called Lover(fiction)

 

Karen Holmberg

Associate Professor, tenure-track,
Oregon State University

Creative Writing, Poetry

The Perseids

 

Hoa Ngo

Visiting Assistant Professor of English,
Hamilton College

Creative Writing, Fiction

Prayers for Imperfection (fiction)

 

Darlene Sybert

Director, 
Northtown Community Center (St. Joseph, MO)

Romantic Poetry

Two Ways of Knowing and the Romantic Poets

 

John Tait

Associate Professor of English and Creative Writing, 
University of North Texas

Creative Writing, Poetry

What To Do With the Rest of Your Life(fiction)

 

Rebecca Wardell

Adjunct/Sessional instructor,
University of Manitoba

19th century British Literature

Men, Mentors, and Masculinity in Three of George Eliot's Novels

 

2001

 

Bryan Carter

Assistant Professor of Africana Studies, University of Arizona

African American Literature

Left Behind: Passing Through African American Literature

 

Marta Ferguson

Sole Proprietor, Freelance Writer,
Wordhound Writing & Editing Services, LLC

Creative Writing, Poetry

Mustang Sally Pays Her Debt to Wilson Pickett

 

Reinhold Hill

Vice Chancellor & Dean,
Indiana University–Purdue University Indianapolis

Folklore

Rooted Ethnography: Writing Culture From the Inside Out

 

Katherine H. Lee

Associate Professor,
Multicultural American Lit, 

Indiana State University

Critical Theory; 20th century American Literature

North American Orientalism: The Career and Work of Winifred Eaton (1875-1954)

 

Colin Ramsey

Professor (full),  
Director of Graduate Studies
Appalachian State University

American Literature to 1865

The Labor of Writing: Literary Culture and the Artisan Class During the American Revolution

 

Evelyn Somers-Rogers

Associate Editor, Missouri Review,
University of Missouri-Columbia

Creative Writing Fiction

The Discontinuity of History: Stories Real and Otherwise

 

2000

   

Sandra Camargo

Adj Assistant Professor, 
Media and Cinema Studies,
University of Illinois at Urbana-Champaign

Film Studies

Once More With Feeling: Film Genre and Emotional Experience

 

Matthew Chacko

Assistant Professor, tenure-track,
University of Wisconsin-Stevens Point

Creative Writing, Fiction

Broadcast from the Flood and Other Stories (fiction)

 

Jacqueline M. Chambers

Staff Director, 
St. Louis Region, 
University of Missouri-St. Louis

 

The Needle and the Pen: Needlework and Women Writers’ Professionalism in the Nineteenth Century

 

Kenneth DeShane

Adjunct Instructor of English,
Liberty University

Folklore

Insider Ethnography: The Believer's Dilemma

 

Pamela (Johnston) Hartsock

Senior Technical Editor, 
HELIX Environmental Planning

19th century American Literature

A Girl Like You

 

Michele Reese

Associate Professor, 
University of South Carolina, Sumter

Creative Writing, Poetry

Following Phia

 

Lawrence (Dale) Rigby

Associate Professor of English, 
Western Kentucky University

Creative Writing, Nonfiction

Of Goat Glands, Potency Pills, and Other Conjugal Acts